photo gallery

these are the photos of our contributors. our contributors are free to post whatever they like because they are awesome. click on a contributor below to see their photos only.

contributors
chadwithuhc
theholygrail
clowerscorner
mmlvx
rcavallo
donluong
hu3ean
nickithedude
can’t fool daniel with your asian tricks, gypsy

can’t fool daniel with your asian tricks, gypsy

tags:
#daniel
#card tricks
#magic
Tom Karangelov, Newport Beach, California 2013 

Tom Karangelov, Newport Beach, California 2013 

tags:
#tom karangelov
#newport beach
#skateboarding
#fuji xpro1
“hey you let’s fight” “thems fighting words”

“hey you let’s fight”
“thems fighting words”

tags:
#the simpsons
Marius Syvanen, Los Angeles, California 2013

Marius Syvanen, Los Angeles, California 2013

tags:
#marius syvanen
#los angeles
#california
#2013
Los Angeles, California 2013

Los Angeles, California 2013

tags:
#los angeles
#2013
San Diego, California 2013

San Diego, California 2013

tags:
#California
#2013
#flag
Tom Karangelov and Ben Woosley, Los Angeles, California 2013

Tom Karangelov and Ben Woosley, Los Angeles, California 2013

tags:
#Ben Woosley
#tom karangelov
#2013
#los angeles
#skateboarding
#america
Tom Karangelov, Los Angeles, California 2013

Tom Karangelov, Los Angeles, California 2013

tags:
#tom karangelov
#los angeles
#2013
#Portrait
“Eli” eight by ten.

“Eli” eight by ten.

A TuneINPUT Special  “BODY OIL” BY HERBIE MANN   “BODY OIL” IS A HIT SINGLE AND WAS RELEASED AS A PROMO BY ATLANTIC RECORDS IN 1975. A DURATION OF 4:54, PRODUCED BY HERBIE MANN, AND APPEARED ON “WATERBED.“ ALSO, PAT REBILLOT ARRANGED AND CONDUCTED THIS PUBLICATION. HE IS CREDITED FOR COOPERATING ALONG SIDE HERBIE MANN THROUGHOUT THIS ERA.       THE FABRICATION IS CAST BY A STEADY GROOVE BEHIND A BLUES AND ROCK RIFF. A COUPLE MEASURES PASS AND THE STYLING OF THE SYMPHONIC YET FUSED JAZZ IMPLOSION OF HERBIE MANN IS FORMED. HE SUBJECTS THE MELODY TO SUBTLE CHORAL CONSIDERATIONS. IT BUILDS WITH EMPHASIS AND REPEATS UNTIL ALAS, THE BRIDGE SENTENCES THE RHYTHM AND THE PNEUMATIC DRAWS OF HERBIE MANN. HE TAKES ACTION BY WALKING ALONG THE SCALE. MEDIAN MELODIES UNDERLY HIS WINDING PROGRESSIONS AND THE BREAK DROPS ONCE MORE. KEYS THEN PROPAGATE THE REMAINDING MEASURES. SYMPHONIES SPAN A SECTION AFTER.       THEMES CAN BE NOTICED CONCISELY. A SET OF DIFFERENCES COMPOUND WELL WHEN ENGAGED BY THE RIGHT MUSICIANS. AT THE OUTSET, SOULFUL GROOVING TITLES THE ARRANGEMENT. SCALING THE BREAK IS THE FLUTE AND KEYS. MELODIES OF CHORUS IN ORCHESTRATION FURTHER THE REINACTMENT OF THE FIRST GROOVES, AND THE TRACK ENDS MUCH LIKE IT BEGAN. VOCALLY AND INSTRUMENTALLY IN MATRIMONY.       A TuneINPUT SPECIAL IS BROUGHT TO YOU BY www.shredlove.com AND DJ JO-BEE FOR MARCH 2013. THIS WAS A 45 R.P.M EDITION INTERLUDE. SEGMENTS OF TuneINPUT WILL CONTINUE WITH FULL LENGTH L.P.’S, AND LINE UPS. STAY TUNED.

A TuneINPUT Special

“BODY OIL” BY HERBIE MANN


“BODY OIL” IS A HIT SINGLE AND WAS RELEASED AS A PROMO BY ATLANTIC RECORDS IN 1975. A DURATION OF 4:54, PRODUCED BY HERBIE MANN, AND APPEARED ON “WATERBED.“ ALSO, PAT REBILLOT ARRANGED AND CONDUCTED THIS PUBLICATION. HE IS CREDITED FOR COOPERATING ALONG SIDE HERBIE MANN THROUGHOUT THIS ERA.

THE FABRICATION IS CAST BY A STEADY GROOVE BEHIND A BLUES AND ROCK RIFF. A COUPLE MEASURES PASS AND THE STYLING OF THE SYMPHONIC YET FUSED JAZZ IMPLOSION OF HERBIE MANN IS FORMED. HE SUBJECTS THE MELODY TO SUBTLE CHORAL CONSIDERATIONS. IT BUILDS WITH EMPHASIS AND REPEATS UNTIL ALAS, THE BRIDGE SENTENCES THE RHYTHM AND THE PNEUMATIC DRAWS OF HERBIE MANN. HE TAKES ACTION BY WALKING ALONG THE SCALE. MEDIAN MELODIES UNDERLY HIS WINDING PROGRESSIONS AND THE BREAK DROPS ONCE MORE. KEYS THEN PROPAGATE THE REMAINDING MEASURES. SYMPHONIES SPAN A SECTION AFTER.

THEMES CAN BE NOTICED CONCISELY. A SET OF DIFFERENCES COMPOUND WELL WHEN ENGAGED BY THE RIGHT MUSICIANS. AT THE OUTSET, SOULFUL GROOVING TITLES THE ARRANGEMENT. SCALING THE BREAK IS THE FLUTE AND KEYS. MELODIES OF CHORUS IN ORCHESTRATION FURTHER THE REINACTMENT OF THE FIRST GROOVES, AND THE TRACK ENDS MUCH LIKE IT BEGAN. VOCALLY AND INSTRUMENTALLY IN MATRIMONY.

A TuneINPUT SPECIAL IS BROUGHT TO YOU BY www.shredlove.com AND DJ JO-BEE FOR MARCH 2013. THIS WAS A 45 R.P.M EDITION INTERLUDE. SEGMENTS OF TuneINPUT WILL CONTINUE WITH FULL LENGTH L.P.’S, AND LINE UPS. STAY TUNED.

Jake Reuter, Huntington Beach, California 2013

Jake Reuter, Huntington Beach, California 2013

tags:
#jake reuter
#pools
Matt Bublitz, Huntington Beach, California 2013

Matt Bublitz, Huntington Beach, California 2013

tags:
#matt bublitz
#bear flag
#pools
Los Angeles, California 2013

Los Angeles, California 2013

tags:
#america
#los angeles
Tom Karangelov, Orange County, California 2013

Tom Karangelov, Orange County, California 2013

tags:
#tom karangelov

Compiled By Joseph Clarkson Clower 2013

Matt Bublitz, Palm Springs, California 2013

Matt Bublitz, Palm Springs, California 2013

tags:
#Matt Bublitz
#Bear Flag
#sidemission2013
Tablature

:: A Decade Of Jazz ::
• Joseph Clower•

Sierra Vista, Las Cruces, NM

“LOADING ZONE” BY ROY BUCHANAN  “LOADING ZONE” WAS PRODUCED BY STANLEY CLARKE IN 1977 FOR ATLANTIC RECORDS AT ELECTRIC LADY STUDIOS, NEW YORK, AND CLOVER STUDIOS, CALIFORNIA.  LINE UP ROY BUCHANAN AS LEAD GUITAR RAYMOND GOMEZ & STEVE CROPPER PLAYING RHYTHM GUITAR STANLEY CLARK, DENNIS PARKER, & WILL LEE PLAYING BASS MALCOLM LUKENS & JAN HAMMER FOR PIANOS NARADA MICHAEL WALDEN & DAVID GARIBALDI ON DRUMS  ONLY BY SOLE INFERENCE CAN A COVER AS ROY BUCHANAN’S “LOADING ZONE” IGNITE THE SUBJECTIVE EFFICACIES OF A COLLECTOR. THE TRACK LIST REPRESENTS THE ECCENTRIC NATURE OF THE BLUES. ROY’S COUNTERPARTS ARE THAT OF A TRUISM TO HIS PRUDENCE AS AN ARTIST AND MUSICIAN. THE FRETBOARD’S FACULTY IS WORN, AS WELL AS THE CORPUS OF HIS INSTRUMENT. THE AGILE, AND OCCULT FREQUENCIES OF WHICH ARE DERIVED THROUGHT THE LP DEPICT METICULOUSLY CONSTUED AND METHODICAL LUCRATIVITY. IT IS UNEQUIVOCAL OF THE NECESSITY TO ACCUMULATE THIS PRODUCTION TO YOUR VINYL DEPOSITORY. ENTIRELY, THE SOUND OF THE RECORD IS PROPITUAL, BUT ROY’S EQUILIZATION OF HIS TELE ECHOES A RING THAT, AMONGST HEARING, NOW RESIDES IN MY PERSONAL PREFERENCES TO SIX STRING ASSIMILATORS. HIS OSCILLATED DISCOGRAPHY EXTENDS FROM HIS SELF TITLED ALBUM, SECOND ALBUM, AND VARIOUS RECORDINGS IN THE 80’S. THIS INSTALLMENT OF TUNE-INput WAS MADE POSSIBLE BY FINDINGS IN NM, USA. VISIT www.shredlove.com and www.myspace.com/jobee88 TO VIEW SIMILIAR HOSTS. RETURN TO CLOWER’S CORNER FOR FUTURE INSTALLMENTS OF TUNE-INput!

“LOADING ZONE” BY ROY BUCHANAN

“LOADING ZONE” WAS PRODUCED BY STANLEY CLARKE IN 1977 FOR ATLANTIC RECORDS AT ELECTRIC LADY STUDIOS, NEW YORK, AND CLOVER STUDIOS, CALIFORNIA.

LINE UP
ROY BUCHANAN AS LEAD GUITAR
RAYMOND GOMEZ & STEVE CROPPER PLAYING RHYTHM GUITAR
STANLEY CLARK, DENNIS PARKER, & WILL LEE PLAYING BASS
MALCOLM LUKENS & JAN HAMMER FOR PIANOS
NARADA MICHAEL WALDEN & DAVID GARIBALDI ON DRUMS

ONLY BY SOLE INFERENCE CAN A COVER AS ROY BUCHANAN’S “LOADING ZONE” IGNITE THE SUBJECTIVE EFFICACIES OF A COLLECTOR. THE TRACK LIST REPRESENTS THE ECCENTRIC NATURE OF THE BLUES. ROY’S COUNTERPARTS ARE THAT OF A TRUISM TO HIS PRUDENCE AS AN ARTIST AND MUSICIAN. THE FRETBOARD’S FACULTY IS WORN, AS WELL AS THE CORPUS OF HIS INSTRUMENT. THE AGILE, AND OCCULT FREQUENCIES OF WHICH ARE DERIVED THROUGHT THE LP DEPICT METICULOUSLY CONSTUED AND METHODICAL LUCRATIVITY. IT IS UNEQUIVOCAL OF THE NECESSITY TO ACCUMULATE THIS PRODUCTION TO YOUR VINYL DEPOSITORY. ENTIRELY, THE SOUND OF THE RECORD IS PROPITUAL, BUT ROY’S EQUILIZATION OF HIS TELE ECHOES A RING THAT, AMONGST HEARING, NOW RESIDES IN MY PERSONAL PREFERENCES TO SIX STRING ASSIMILATORS. HIS OSCILLATED DISCOGRAPHY EXTENDS FROM HIS SELF TITLED ALBUM, SECOND ALBUM, AND VARIOUS RECORDINGS IN THE 80’S. THIS INSTALLMENT OF TUNE-INput WAS MADE POSSIBLE BY FINDINGS IN NM, USA. VISIT www.shredlove.com and www.myspace.com/jobee88 TO VIEW SIMILIAR HOSTS. RETURN TO CLOWER’S CORNER FOR FUTURE INSTALLMENTS OF TUNE-INput!

tags:
#TUNE-INput
|Somewhere Printing 2012|

|Somewhere Printing 2012|

haven’t seen these boys in a while / rob & G

haven’t seen these boys in a while / rob & G

tags:
#geralle
#rob
#shredlove
 “SLOW TRAFFIC TO THE RIGHT” BY BENNIE MAUPIN “SLOW TRAFFIC TO THE RIGHT” WAS RECORDED BETWEEN 1976 & 1977, WHILE BEING RELEASED CONCLUDING ITS COMPLETION IN 1977. PRODUCED BY PAT GLEESON FOR MERCURY RECORDS.  LINE UP BENNIE MAUPIN ON SAX, FLUTE, AND CLARINET PATRICE RUSHEN & ONAJE ALLAN GUMBS PLAYING PIANO, FENDER RHODES, AND CLAVINET RALPH ARMSTRONG AND PAUL JACKSON ON BASS BLACKBIRD MCKNIGHT PLAYING GUITAR JAMES LEVY FOR DRUMS EDDIE HENDERSON PLAYING TRUMPET AND FLUGELHORN CRAIG KILBY ON TRUMBONE NATHAN RUBEN FOR STRINGS PAT GLEESON USING SYNTHS WITH NO CONTRIVANCE, THIS RECORD FELL INTO MY ARMS, AND I BEGAN TO CRADLE. UPON HEARING SOME OF THE LISTINGS FROM AN OUTSIDE SOURCE, HAVING THE HARD COPY WAS A DELIGHT. WHILE PAUL JACKSON ECHOES VIBRATION FROM THE 4 STRING, JAMES LEVY MEASURES BALANCED TONES THREW PERCUSSION. BENNIE MAUPIN’S WOODWIND DRAWS BRING AN ELONGATED AIRY DYNAMIC TO THE OVERALL SENTIMENT OF THE COMPOSITION. GROOVES THAT ARE STOP AND GO, WITH A NOW YOU SEE ME NOW YOU DON’T CONUNDRUM THAT MAKES THIS TANGENT OF JAZZ EASILY HEARD, ALTHOUGH A RARITY LIKE THIS IS SELDOM SEEN, AND MIGHT BE ONE OF PAUL JACKSON’S BEST KEPT SECRETS. THE 32 MINUTES AND 15 SECONDS IS QUICKLY HEARD AND YOU DON’T NEED TO LISTEN A SECOND TIME. AN AISLE IS CLEARED WITHIN AND THE MUSICAL INSPIRATIONS WILL BE WITH YOU FOR A WHILE AFTER. ONE TIME IS ALL IT TAKES TO LISTEN TO THESE BREAKS! THIS INSTALLMENT OF TUNE-INput WAS BROUGHT TO YOU BY DJ JO-BEE AND www.shredlove.com. VIEW THIS THREAD EACH MONTH FOR ARTIST INFO AND LEADS TO RESPECTABLY RECOGNIZED PIECES, ALONG WITH OTHER LOCAL AND INTERNATIONAL MEDIA. THANK YOU KINDLY..p.s. click the flick DJ JO-BEE FOR TUNE-INPUT! OVER AND OUT..

“SLOW TRAFFIC TO THE RIGHT” BY BENNIE MAUPIN

“SLOW TRAFFIC TO THE RIGHT” WAS RECORDED BETWEEN 1976 & 1977, WHILE BEING RELEASED CONCLUDING ITS COMPLETION IN 1977. PRODUCED BY PAT GLEESON FOR MERCURY RECORDS.

LINE UP
BENNIE MAUPIN ON SAX, FLUTE, AND CLARINET

PATRICE RUSHEN & ONAJE ALLAN GUMBS PLAYING PIANO, FENDER RHODES, AND CLAVINET

RALPH ARMSTRONG AND PAUL JACKSON ON BASS

BLACKBIRD MCKNIGHT PLAYING GUITAR

JAMES LEVY FOR DRUMS

EDDIE HENDERSON PLAYING TRUMPET AND FLUGELHORN

CRAIG KILBY ON TRUMBONE

NATHAN RUBEN FOR STRINGS

PAT GLEESON USING SYNTHS

WITH NO CONTRIVANCE, THIS RECORD FELL INTO MY ARMS, AND I BEGAN TO CRADLE. UPON HEARING SOME OF THE LISTINGS FROM AN OUTSIDE SOURCE, HAVING THE HARD COPY WAS A DELIGHT. WHILE PAUL JACKSON ECHOES VIBRATION FROM THE 4 STRING, JAMES LEVY MEASURES BALANCED TONES THREW PERCUSSION. BENNIE MAUPIN’S WOODWIND DRAWS BRING AN ELONGATED AIRY DYNAMIC TO THE OVERALL SENTIMENT OF THE COMPOSITION. GROOVES THAT ARE STOP AND GO, WITH A NOW YOU SEE ME NOW YOU DON’T CONUNDRUM THAT MAKES THIS TANGENT OF JAZZ EASILY HEARD, ALTHOUGH A RARITY LIKE THIS IS SELDOM SEEN, AND MIGHT BE ONE OF PAUL JACKSON’S BEST KEPT SECRETS. THE 32 MINUTES AND 15 SECONDS IS QUICKLY HEARD AND YOU DON’T NEED TO LISTEN A SECOND TIME. AN AISLE IS CLEARED WITHIN AND THE MUSICAL INSPIRATIONS WILL BE WITH YOU FOR A WHILE AFTER. ONE TIME IS ALL IT TAKES TO LISTEN TO THESE BREAKS! THIS INSTALLMENT OF TUNE-INput WAS BROUGHT TO YOU BY DJ JO-BEE AND www.shredlove.com. VIEW THIS THREAD EACH MONTH FOR ARTIST INFO AND LEADS TO RESPECTABLY RECOGNIZED PIECES, ALONG WITH OTHER LOCAL AND INTERNATIONAL MEDIA. THANK YOU KINDLY..p.s. click the flick

DJ JO-BEE FOR TUNE-INPUT! OVER AND OUT..

tags:
#Tune-INput

•Baylor Pass•
°The Organ Mts inThe Land of Enchantment, NM°

TUNE-INPUT SEGMENTATION ETA: JULY 2012

taylor and daniel. kansas city. 2012

taylor and daniel. kansas city. 2012

Luckiest fool out here. @rcavallo hit island and boat first try.  (Taken with Instagram at The Islands Golf Center)

Luckiest fool out here. @rcavallo hit island and boat first try. (Taken with Instagram at The Islands Golf Center)

tags:
#shredlove
#rcavallo
“YELLOW & GREEN” BY RON CARTER WAS RECORDED IN 1976 IN NEW JERSEY, USA, PRODUCED BY CREED TAYLOR, AND RELEASED ON CTI RECORDS.   LINE UP RON CARTER ON BASS KENNY BARRON AND DON GROLNICK PLAYING PIANO HUGH MCCRACKEN FOR GUITAR BILLY COBHAM AND BEN RILEY ON DRUMS DOM UM ROMAO FOR PERCUSSION  POINTING TO “YELLOW & GREEN” SHOWS THAT MR. RON CARTER IS RESPONSIBLE FOR MANY OF JAZZ MUSICS LANDMARKS RESIDING IN THE DISCOGRAPHY OF HORICE SILVER, MILT JACKSON, GENE HARRIS, & KENNY BURRELL, INCLUDING MORE. WITH LOFTY BASELINES AND THE ACCOMPANIED INSTRUMENTATION OF THE PRECEDING, THIS RECORD IS AN OPTIMAL SELECTION FOR A NICELY LIT ROOM, WINE TASTING, OR SKIP OF A STONE JUMP TO AN AFTER HOURS JAVA PORCH. IT IS THE PRESENTATION MANUEL OF JAZZ MUSICS MOST TRUSTED. THREW MUSICAL POSTULATION, THE UNION OF PERFORMERS USE THE RELATIVELY SHORT RECORDED TIME TO HIT THE HIGH NOTES AND THE LOW ONES AND STREAM LINE THE TURNING OF THE RECORD TO THE B-SIDE WHEN IT REACHES THE MIDDLE! WHERE AND WHEN YOU COME INTO KNOWLEDGE OF “YELLOW AND GREEN” BY RON CARTER, MAKE IT APART OF YOUR LISTENINGS. DO THIS, AND ALSO SUPPORT YOUR LOCAL RECORD STORE. DO BUSINESS FOR DUE CAUSE. PUT YOUR MONEY WHERE YOUR MOUTH IS. BUY HARD COPIES. AVOID BMI/ASCAP OFFICIALS, AND CONFRONTATION FROM EVANGELISTS OF LIVE SOUND. DJ JO-BEE FOR TUNE-INPUT! OVER AND OUT..

“YELLOW & GREEN” BY RON CARTER WAS RECORDED IN 1976 IN NEW JERSEY, USA, PRODUCED BY CREED TAYLOR, AND RELEASED ON CTI RECORDS.

LINE UP
RON CARTER ON BASS
KENNY BARRON AND DON GROLNICK PLAYING PIANO
HUGH MCCRACKEN FOR GUITAR
BILLY COBHAM AND BEN RILEY ON DRUMS
DOM UM ROMAO FOR PERCUSSION

POINTING TO “YELLOW & GREEN” SHOWS THAT MR. RON CARTER IS RESPONSIBLE FOR MANY OF JAZZ MUSICS LANDMARKS RESIDING IN THE DISCOGRAPHY OF HORICE SILVER, MILT JACKSON, GENE HARRIS, & KENNY BURRELL, INCLUDING MORE. WITH LOFTY BASELINES AND THE ACCOMPANIED INSTRUMENTATION OF THE PRECEDING, THIS RECORD IS AN OPTIMAL SELECTION FOR A NICELY LIT ROOM, WINE TASTING, OR SKIP OF A STONE JUMP TO AN AFTER HOURS JAVA PORCH. IT IS THE PRESENTATION MANUEL OF JAZZ MUSICS MOST TRUSTED. THREW MUSICAL POSTULATION, THE UNION OF PERFORMERS USE THE RELATIVELY SHORT RECORDED TIME TO HIT THE HIGH NOTES AND THE LOW ONES AND STREAM LINE THE TURNING OF THE RECORD TO THE B-SIDE WHEN IT REACHES THE MIDDLE! WHERE AND WHEN YOU COME INTO KNOWLEDGE OF “YELLOW AND GREEN” BY RON CARTER, MAKE IT APART OF YOUR LISTENINGS. DO THIS, AND ALSO SUPPORT YOUR LOCAL RECORD STORE. DO BUSINESS FOR DUE CAUSE. PUT YOUR MONEY WHERE YOUR MOUTH IS. BUY HARD COPIES. AVOID BMI/ASCAP OFFICIALS, AND CONFRONTATION FROM EVANGELISTS OF LIVE SOUND. DJ JO-BEE FOR TUNE-INPUT! OVER AND OUT..

tags:
#TUNE-INPUT
dcon / talking and talking and talking [ view animated ]

dcon / talking and talking and talking [ view animated ]

tags:
#coniconde
#shredlove
brans got a warmup teezy for you

brans got a warmup teezy for you

tags:
#bdrum
#shredlove
I know you saw the future nature ad with @nick_garcia and @juliandavidson but did you notice this!?? Yah nick gar!!!  (Taken with instagram)

I know you saw the future nature ad with @nick_garcia and @juliandavidson but did you notice this!?? Yah nick gar!!! (Taken with instagram)

tags:
#nick
#shredlove
#instagram
we’re going back to tahoe for snowboarding this weekend. here is an endless loop of last years trip. [ view animated ]

we’re going back to tahoe for snowboarding this weekend. here is an endless loop of last years trip. [ view animated ]

tags:
#tahoe
#trips
#gif
#shredlove
seriously though, dcon is pretty fucking hard / dcon

seriously though, dcon is pretty fucking hard / dcon

tags:
#coniconde
#shredlove
geralle / nosegrind  photo by rcavallo

geralle / nosegrind

photo by rcavallo

tags:
#by rcavallo
#geralle
#shredlove
T spliff right before his part came on Boosh and Stef JuJu and Lee dawg Matt B and his lady Tess Redroom Blake Nick Gar Extra Stoke K Bar @joselito914 Taylor and Ryan Bildozer

I love going to video premieres it brings all the homies together. Shot all these with a disposable at the WTF premiere at the art theater in LB. 

Git that game son love all them shred dogz Holla

Git that game son love all them shred dogz Holla

If you stay in Vegas long enough. Eventually it’ll look like this to you too.

If you stay in Vegas long enough. Eventually it’ll look like this to you too.

Derrick Wilson. Washington, DC. 2011

Derrick Wilson. Washington, DC. 2011

new fnc tee graphic

new fnc tee graphic

youngblood back at home

youngblood back at home

Merlino post mountain kickflip. we goin to disneyland 

Merlino post mountain kickflip. we goin to disneyland 

tool box soarin high

tool box soarin high

happy bday j lay!

happy bday j lay!

Folk ain’t no joke.

Folk ain’t no joke.

look who showed up for my birthday! cooooooooootch!

look who showed up for my birthday! cooooooooootch!

clowers and balls….these guys know how to party

kfro is fully badass.

kfro is fully badass.

JoshuaTree.Rocks.|

JoshuaTree.Rocks.|

Backpacking to Black Lake 35mm continued.

Backpacking to Black Lake 35mm to be continued…

BABY HAIDEN, uncle balls! yeahson! 

BABY HAIDEN, uncle balls! yeahson!