photo gallery
these are the photos of our contributors. our contributors are free to post whatever they like because they are awesome. click on a contributor below to see their photos only.
Stop and smell the Clowers
Magikarpenski
A TuneINPUT Special
“BODY OIL” BY HERBIE MANN
“BODY OIL” IS A HIT SINGLE AND WAS RELEASED AS A PROMO BY ATLANTIC RECORDS IN 1975. A DURATION OF 4:54, PRODUCED BY HERBIE MANN, AND APPEARED ON “WATERBED.“ ALSO, PAT REBILLOT ARRANGED AND CONDUCTED THIS PUBLICATION. HE IS CREDITED FOR COOPERATING ALONG SIDE HERBIE MANN THROUGHOUT THIS ERA.
THE FABRICATION IS CAST BY A STEADY GROOVE BEHIND A BLUES AND ROCK RIFF. A COUPLE MEASURES PASS AND THE STYLING OF THE SYMPHONIC YET FUSED JAZZ IMPLOSION OF HERBIE MANN IS FORMED. HE SUBJECTS THE MELODY TO SUBTLE CHORAL CONSIDERATIONS. IT BUILDS WITH EMPHASIS AND REPEATS UNTIL ALAS, THE BRIDGE SENTENCES THE RHYTHM AND THE PNEUMATIC DRAWS OF HERBIE MANN. HE TAKES ACTION BY WALKING ALONG THE SCALE. MEDIAN MELODIES UNDERLY HIS WINDING PROGRESSIONS AND THE BREAK DROPS ONCE MORE. KEYS THEN PROPAGATE THE REMAINDING MEASURES. SYMPHONIES SPAN A SECTION AFTER.
THEMES CAN BE NOTICED CONCISELY. A SET OF DIFFERENCES COMPOUND WELL WHEN ENGAGED BY THE RIGHT MUSICIANS. AT THE OUTSET, SOULFUL GROOVING TITLES THE ARRANGEMENT. SCALING THE BREAK IS THE FLUTE AND KEYS. MELODIES OF CHORUS IN ORCHESTRATION FURTHER THE REINACTMENT OF THE FIRST GROOVES, AND THE TRACK ENDS MUCH LIKE IT BEGAN. VOCALLY AND INSTRUMENTALLY IN MATRIMONY.
A TuneINPUT SPECIAL IS BROUGHT TO YOU BY www.shredlove.com AND DJ JO-BEE FOR MARCH 2013. THIS WAS A 45 R.P.M EDITION INTERLUDE. SEGMENTS OF TuneINPUT WILL CONTINUE WITH FULL LENGTH L.P.’S, AND LINE UPS. STAY TUNED.
“LOADING ZONE” BY ROY BUCHANAN
“LOADING ZONE” WAS PRODUCED BY STANLEY CLARKE IN 1977 FOR ATLANTIC RECORDS AT ELECTRIC LADY STUDIOS, NEW YORK, AND CLOVER STUDIOS, CALIFORNIA.
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ROY BUCHANAN AS LEAD GUITAR
RAYMOND GOMEZ & STEVE CROPPER PLAYING RHYTHM GUITAR
STANLEY CLARK, DENNIS PARKER, & WILL LEE PLAYING BASS
MALCOLM LUKENS & JAN HAMMER FOR PIANOS
NARADA MICHAEL WALDEN & DAVID GARIBALDI ON DRUMS
ONLY BY SOLE INFERENCE CAN A COVER AS ROY BUCHANAN’S “LOADING ZONE” IGNITE THE SUBJECTIVE EFFICACIES OF A COLLECTOR. THE TRACK LIST REPRESENTS THE ECCENTRIC NATURE OF THE BLUES. ROY’S COUNTERPARTS ARE THAT OF A TRUISM TO HIS PRUDENCE AS AN ARTIST AND MUSICIAN. THE FRETBOARD’S FACULTY IS WORN, AS WELL AS THE CORPUS OF HIS INSTRUMENT. THE AGILE, AND OCCULT FREQUENCIES OF WHICH ARE DERIVED THROUGHT THE LP DEPICT METICULOUSLY CONSTUED AND METHODICAL LUCRATIVITY. IT IS UNEQUIVOCAL OF THE NECESSITY TO ACCUMULATE THIS PRODUCTION TO YOUR VINYL DEPOSITORY. ENTIRELY, THE SOUND OF THE RECORD IS PROPITUAL, BUT ROY’S EQUILIZATION OF HIS TELE ECHOES A RING THAT, AMONGST HEARING, NOW RESIDES IN MY PERSONAL PREFERENCES TO SIX STRING ASSIMILATORS. HIS OSCILLATED DISCOGRAPHY EXTENDS FROM HIS SELF TITLED ALBUM, SECOND ALBUM, AND VARIOUS RECORDINGS IN THE 80’S. THIS INSTALLMENT OF TUNE-INput WAS MADE POSSIBLE BY FINDINGS IN NM, USA. VISIT www.shredlove.com and www.myspace.com/jobee88 TO VIEW SIMILIAR HOSTS. RETURN TO CLOWER’S CORNER FOR FUTURE INSTALLMENTS OF TUNE-INput!
eatin’ with rob [ view animated ]
“SLOW TRAFFIC TO THE RIGHT” BY BENNIE MAUPIN
“SLOW TRAFFIC TO THE RIGHT” WAS RECORDED BETWEEN 1976 & 1977, WHILE BEING RELEASED CONCLUDING ITS COMPLETION IN 1977. PRODUCED BY PAT GLEESON FOR MERCURY RECORDS.
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BENNIE MAUPIN ON SAX, FLUTE, AND CLARINET
PATRICE RUSHEN & ONAJE ALLAN GUMBS PLAYING PIANO, FENDER RHODES, AND CLAVINET
RALPH ARMSTRONG AND PAUL JACKSON ON BASS
BLACKBIRD MCKNIGHT PLAYING GUITAR
JAMES LEVY FOR DRUMS
EDDIE HENDERSON PLAYING TRUMPET AND FLUGELHORN
CRAIG KILBY ON TRUMBONE
NATHAN RUBEN FOR STRINGS
PAT GLEESON USING SYNTHS
WITH NO CONTRIVANCE, THIS RECORD FELL INTO MY ARMS, AND I BEGAN TO CRADLE. UPON HEARING SOME OF THE LISTINGS FROM AN OUTSIDE SOURCE, HAVING THE HARD COPY WAS A DELIGHT. WHILE PAUL JACKSON ECHOES VIBRATION FROM THE 4 STRING, JAMES LEVY MEASURES BALANCED TONES THREW PERCUSSION. BENNIE MAUPIN’S WOODWIND DRAWS BRING AN ELONGATED AIRY DYNAMIC TO THE OVERALL SENTIMENT OF THE COMPOSITION. GROOVES THAT ARE STOP AND GO, WITH A NOW YOU SEE ME NOW YOU DON’T CONUNDRUM THAT MAKES THIS TANGENT OF JAZZ EASILY HEARD, ALTHOUGH A RARITY LIKE THIS IS SELDOM SEEN, AND MIGHT BE ONE OF PAUL JACKSON’S BEST KEPT SECRETS. THE 32 MINUTES AND 15 SECONDS IS QUICKLY HEARD AND YOU DON’T NEED TO LISTEN A SECOND TIME. AN AISLE IS CLEARED WITHIN AND THE MUSICAL INSPIRATIONS WILL BE WITH YOU FOR A WHILE AFTER. ONE TIME IS ALL IT TAKES TO LISTEN TO THESE BREAKS! THIS INSTALLMENT OF TUNE-INput WAS BROUGHT TO YOU BY DJ JO-BEE AND www.shredlove.com. VIEW THIS THREAD EACH MONTH FOR ARTIST INFO AND LEADS TO RESPECTABLY RECOGNIZED PIECES, ALONG WITH OTHER LOCAL AND INTERNATIONAL MEDIA. THANK YOU KINDLY..p.s. click the flick
DJ JO-BEE FOR TUNE-INPUT! OVER AND OUT..
Luckiest fool out here. @rcavallo hit island and boat first try. (Taken with Instagram at The Islands Golf Center)
Sup amigos ! (Taken with instagram)
“YELLOW & GREEN” BY RON CARTER WAS RECORDED IN 1976 IN NEW JERSEY, USA, PRODUCED BY CREED TAYLOR, AND RELEASED ON CTI RECORDS.
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RON CARTER ON BASS
KENNY BARRON AND DON GROLNICK PLAYING PIANO
HUGH MCCRACKEN FOR GUITAR
BILLY COBHAM AND BEN RILEY ON DRUMS
DOM UM ROMAO FOR PERCUSSION
POINTING TO “YELLOW & GREEN” SHOWS THAT MR. RON CARTER IS RESPONSIBLE FOR MANY OF JAZZ MUSICS LANDMARKS RESIDING IN THE DISCOGRAPHY OF HORICE SILVER, MILT JACKSON, GENE HARRIS, & KENNY BURRELL, INCLUDING MORE. WITH LOFTY BASELINES AND THE ACCOMPANIED INSTRUMENTATION OF THE PRECEDING, THIS RECORD IS AN OPTIMAL SELECTION FOR A NICELY LIT ROOM, WINE TASTING, OR SKIP OF A STONE JUMP TO AN AFTER HOURS JAVA PORCH. IT IS THE PRESENTATION MANUEL OF JAZZ MUSICS MOST TRUSTED. THREW MUSICAL POSTULATION, THE UNION OF PERFORMERS USE THE RELATIVELY SHORT RECORDED TIME TO HIT THE HIGH NOTES AND THE LOW ONES AND STREAM LINE THE TURNING OF THE RECORD TO THE B-SIDE WHEN IT REACHES THE MIDDLE! WHERE AND WHEN YOU COME INTO KNOWLEDGE OF “YELLOW AND GREEN” BY RON CARTER, MAKE IT APART OF YOUR LISTENINGS. DO THIS, AND ALSO SUPPORT YOUR LOCAL RECORD STORE. DO BUSINESS FOR DUE CAUSE. PUT YOUR MONEY WHERE YOUR MOUTH IS. BUY HARD COPIES. AVOID BMI/ASCAP OFFICIALS, AND CONFRONTATION FROM EVANGELISTS OF LIVE SOUND. DJ JO-BEE FOR TUNE-INPUT! OVER AND OUT..
dcon / talking and talking and talking [ view animated ]
I know you saw the future nature ad with @nick_garcia and @juliandavidson but did you notice this!?? Yah nick gar!!! (Taken with instagram)
we’re going back to tahoe for snowboarding this weekend. here is an endless loop of last years trip. [ view animated ]















































































































































